Wednesday, June 19, 2013

I Think Somebody Better Put Out The Big Light

Joanna Page - best known for that tripe sitcom she was in - has described her Doctor Who experience as 'fun, scary and intimidating.' A bit like a night out with a tiger, I reckon. The actress will appear in the BBC's long running popular family SF drama's fiftieth anniversary special, alongside both yer actual Matt Smith and David Tennant is very self. 'It was so much fun getting to act with the different Doctors but it was quite scary and intimidating at first,' Page told the Radio Times. She added: 'I've wanted to be in Doctor Who for ages. They just phoned and said, "Will you be in it?" and I said, "Oh my God, yes, definitely."' Page refused to divulge any plot details from the anniversary instalment, describing Doctor Who's level of secrecy scary. 'Your script arrives and on every single page it says "Joanna Page" over it, so you know that if you leave it on the Tube or if you've forwarded it to someone, you are in the shit,' she added.

Meanwhile the 'shitloads of missing 1960s Doctor Who episodes have been found' rumours alluded to previously on this blog which have been circulating, big-style(e), on yer actual Internet over the last couple of weeks - with increasingly embiggened claims being made - reached something approaching fever-pitch this week. There's a very useful (and, seemingly, wholly sincere) summation of the whole story at the Bleeding Cool website, which has been a leading player in circulating variations of the rumour, here. Bleeding Cool's Rich Johnston had previously reported: 'Of the one hundred and six missing episodes, they comprise ninety of them. The only ones not included are nine episodes of The Dalek Master Plan, plus Mission To The Unknown, two episodes of The Invasion, two episodes of The Ice Warriors and two episodes of The Wheel In Space. So that's not quite The Full Hartnell, but pretty close. And that's an awful lot more Troughton than I was expecting. The BBC have been negotiating their safe return. Steven Moffat, Russell T Davies, Mark Gatiss, Caroline Skinner, all the main players, the Cardiff production office, Doctor Who Magazine are aware of what's happening. But this is bigger than Doctor Who. This is eight thousand recovered films including the likes of missing Dad's Army, Out Of The Unknown, Morecambe & Wise, The Sky At Night and more. Including ninety missing Doctor Who films and potentially better quality prints of already recovered shows. Such as three separate sets of Doctor Who: Marco Polo – one poor quality, two in excellent nick.' It's all jolly intriguing. It could be the scoop of the century (and I really do mean that, seriously). Or, it could be a right load of old effing toot. And, I mean that seriously, too. Jury's still out. Sadly, yer actual Keith Telly Topping's carefully considered view remains (and will do until a BBC press release lands on his desk with a muffled thud confirming all this) that it's probably a fairy story. That said, if even half of the claims made here, and elsewhere, turn out to be accurate then this blogger will - of course - be joining the rest of fandom in running around his front room excitedly with his underkeks on his head shrieking 'HOLYMOTHERO'GOD! They found The Evil of the Daleks in Nigeria!' Et cetera. I'd love it to be true, dear blog reader, honest I would. Time will tell, I guess. It usually does. Stay tuned, as a previous producer of the show in question once said. Frequently. Still, at least all this malarkey has - temporarily - stopped the endless ridiculous and annoying procession of speculation about who the next Doctor will be. Oh, no, hang on ... Knew it was too good to be true.

Meanwhile, this is for yer actual Keith Telly Topping's good mate Dan who was recently complaining about losing the will to live when reading a post on Gallifrey Base in which the contributor has included a chart to prove his or her point. Charts, dear blog reader, can sometimes be really instructive.
Yer actual Prince Charles and the Duchess of Cornwall are to visit the set of Doctor Who. The royal visit will be part of the couple's annual involvement in 'Wales Week', an event held to promote the country, its charities and projects. Charles and Camilla will travel to BBC Cymru Wales's Roath Lock Studios in Cardiff, where a large proportion of Doctor Who is filmed, to mark the family SF drama's fiftieth anniversary. Doctor Who uses many locations in Wales, with all studio filming taking place at Roath Lock. The interior of the TARDIS has been located there since the Snowmen Christmas special. Matt Smith and Jenna-Louise Coleman will meet the royal couple, along with several other co-stars and will, probably, be required to be grovelling and tug their forelocks and abase themselves before the royal parasites. A Clarence House spokesman said: 'The Prince and The Duchess always enjoy their annual visit to Wales and this year they are looking forward to a varied programme of engagements including everything from Dylan Thomas's Boat House to Doctor Who's TARDIS. Their Royal Highnesses are also keen to highlight the vital work being done across Wales by some of the charities they are involved with.'

Top Gear's return date has been confirmed by the BBC. The motoring show's new series will begin on BBC2 on Sunday 30 June at 8pm. Which will, of course, piss off plenty of exactly the kind of people who, frankly, deserve a good healthy dose of pissing off. Marvellous. Yer actual Jezza Clarkson and James May his very self will kick off the latest series in New Zealand, as they race a car against a boat in a journey up the coastline to the tip of the North Island. The boat in question is a top-range America's Cup yacht, while the car is described as 'a familiar vehicle' that has never been featured on the show before. Richard Hammond, meanwhile, remains back in Britain, as he aims to find a new hatchback favourite from three new cars - the Renaultsport Clio 200, the Peugeot 208 GTI and the Ford Fiesta ST. Game of Thrones actor Charles Dance, Warwick Davis and soul singer Joss Stone will be among the stars in a brand new 'Reasonably Priced Car' this series.

Frankie climbed back in the overnight ratings for the second week in a row for its finale episode on Tuesday. Eve Myles's BBC1 medical drama achieved its best figures since its premiere, rising to 4.24 million viewers at 9pm. Earlier, The ONE Show was watched by 3.86m at 7pm. On BBC2, Airport Live was seen by 2.51m at 8pm, followed by new six-part documentary Route Masters: Running London's Roads with 2.32m at 9pm. ITV's new series Nature's Newborns brought in 2.44m at 7.30pm. Animal Heroes finished its first - and, probably, only - series with a genuinely dreadful 1.88m at 8pm, while Royal Windsor's Big Week attracted 1.52m sad crushed victims of society at 9pm on another truly dreadful night for the commercial channel. On Channel Four, Something for Nothing debuted with 1.21m at 8pm. Child Genius continued with 1.49m at 9pm. Dates' latest episode held steady at nine hundred and seventy nine thousand punters at 10pm and Dawn Porter's new show How to Find Love Online interested six hundred and nineteen thousand viewers at 10.30pm. Channel Five's Gibraltar: Britain in the Sun continued with 1.07m at 8pm. The latest episode of CSI was watched by 1.57m at 9.15pm. Big Brother was marginally down from the previous episode at 1.33m at 10pm. On BBC3, The Call Centre was, again, the highest-rated multichannel show of the day with nine hundred thousand at 9pm. I know. I resigned from the human race in protest but I don't think it did much good. Still, there was some good news, the wretched Sweat the Small Stuff pulling in a mere four hundred and forty five thousand punters at 10pm. Sky1's Mad Dogs dipped to three hundred and eighty thousand viewers at 9pm.

Luther is to return to BBC1 early next month. The dark cop drama's third series will begin on Tuesday 2 July at 9pm. Idris Elba will star in four new sixty-minute episodes, alongside Warren Brown and Ruth Wilson. The first episode of series three will feature John Luther tackling a 'twisted fetishist', who appears to be a copycat killer of an unsolved case from the 1980s. However, the detective's priorities will be torn between that case and another, which involves a 'malicious Internet tormentor' found dead in his home. The first episode will also see the introduction of Sienna Guillory as Mary Day, a new love interest for Luther. The new series will also be screened on BBC America, stripped across the week 3 to 6 September.
UK telecoms regulator Ofcom - a politically appointed quango, elected by no one - is to launch an investigation into BSkyB over the supply of its sports channels to rival broadcasters. It comes after a complaint by BT, which is challenging Sky's dominance of the sports pay-TV market. The probe will look at the terms on which Sky has offered its sports channels, Sky Sports 1 and Sky Sports 2, for BT to then offer via YouView. BT says the terms are an abuse of Sky's market dominance. It says Sky is making the supply of its two sports channels conditional on BT in turn making its own sports channels available to Sky. 'We are pleased Ofcom has decided to open an investigation as we believe Sky has behaved in an unreasonable and discriminatory manner,' said BT. 'This is because they have refused to provide Sky Sports 1 and 2 to BT on YouView on fair terms whilst providing them to other pay-TV retailers such as TalkTalk.' BT has asked for Ofcom to consider bringing in interim measures, and has asked for a decision by the end of July as the Premier League season kicks off on 17 August. BT has been signing up live sports rights, including thirty eight Premier League matches a season, for showing on its three sport channels: BT Sport 1, BT Sport 2 and ESPN. Its channels will also show sixty nine live Aviva Premiership rugby matches per season, plus live football from leagues in Germany, France, Italy and Brazil. BT's move into the sports pay-TV market comes after Sky's expansion into BT's territory by offering broadband and telephone services in recent years. Sky said it considered BT's complaint to Ofcom to 'be entirely without merit. We look forward to engaging constructively with Ofcom,' Sky said in a statement. The BT complaint comes a week after Sky complained to the Advertising Standards Authority about BT's adverts for its new sports service. Sky's complaint centres around BT's claim that it will provide 'free' Premier League football coverage to its broadband customers, with Sky arguing that there are other costs involved. The ASA said the complaint was still being assessed.

Sharp has released what it says is the biggest LED TV ever to go on sale in Europe. The Aquos LC-90LE757 features a ninety inch screen, trumping an eighty four inch display from LG. Sharp has offered the size in the US since June 2012 - the world's biggest market for jumbo-TVs - but said it now believed there was demand in the UK and rest of Europe for such a set. One analyst said the local market was indeed growing, but remained 'niche.' Effing big niche, mind. Fifty inch-and-larger TVs represent six per cent of units currently sold in Britain, according to research firm GfK. However, it adds that the sector accounts for sixteen per cent of the sector's value due to the premium prices they command. The trend is even more advanced in the US. According to the Consumer Electronics Association, eight per cent of all TVs sold in the country feature screens sixty inch or larger. 'In the States people have bigger houses and bigger rooms, so large TVs represent a larger proportion of the marketplace,' GfK's Nigel Catlow told the BBC. 'But as the TVs get thinner, more rooms are able to take a big TV set, and screen size is the biggest driver for making people want to buy a new product.' Sharp posted a five hundred and forty five billion yen net loss in its last financial year. It has since said that it is pursuing high shares of relatively small markets as part of its turnaround strategy. Sharp's new display is based on LED (light-emitting diode) technology, weighs sixty four kilograms, and is less than twelve centimetres deep. It supports 3D broadcasts, has three tuners - allowing several channels to be watched at once - and also offers a 'wallpaper mode', which can display a static picture at a low brightness level when it is not otherwise in use. The firm says owners need to sit at least three and a half metres away to enjoy its picture. Or, be blinded. 'The biggest challenge we had was to try to hide the framework that is encasing the screen's pixels,' explained Sharp's UK product manager, Tommaso Monetto. 'We used a technology called Fred [frame rate enhanced driving] to minimise the structure holding the pixels together so that you hardly see the lines between them, and it becomes a seamless panel when you look at it from the front.' In the past, Sharp and other firms' 3D TVs created a different image for each viewer's eye by sending two signal lines from the device's motherboard to the display. The firm's proprietary Fred technology uses a single signal line driven at a higher speed to provide the necessary information, minimising the amount of wiring and electrical components needed. 'The plan is definitely to go bigger,' Monetto added. But, as my mum always used to say, it's not size that's important. 'The long-term view is that eventually you will have entire walls that are made out of LCDs, and you can allocate different spaces for different usage. Part will be used for TV signals, part for surfing the Internet and part to show pictures.' Panasonic does sell even bigger displays, offering one hundred and three inch and one hundred and fifty two inch screens. However, they are based on plasma technology making them thicker and heavier than Sharp's LED model. They are also several times the price and Panasonic pitches them at the professional market rather than at consumers.

NASA's Cassini probe is going to try to take a special picture of Planet Earth. The spacecraft will include Earth when it makes a giant mosaic of Saturn and its ring system. In the Friday 19 July portrait, Earth will be almost a billion miles in the distance - a mere pixel in size. Carolyn Porco, who leads Cassini's camera team, hopes the picture will be reminiscent of the famous 'Pale Blue Dot' image captured by the Voyager-1 probe in 1990. That was an image which she helped produce. A major difference on this occasion is that people will know in advance that they are being photographed from the outer Solar System. They could wave, said the researcher from the Space Science Institute in Boulder. 'People can celebrate it and join in. This will be like an interplanetary cosmic photo session,' she told BBC News. 'People can enjoy the fact that we have a robot out there, a billion miles away, taking our picture. How cool is that?' Yeah. That is pretty cool. Cassini has caught sight of Earth before as it has studied and photographed the ringed gas giant. But the set-up has never been ideal. This time Porco has searched through the upcoming mission plan for Cassini to find an occasion when she can properly frame the shot, using the most appropriate filters to capture Earth in natural colour. Using the probe to look back towards the inner Solar System needs great care and must only be done when the Sun is eclipsed by Saturn. To do otherwise risks the full glare of our star falling on the probe's instruments and damaging their sensitive detectors. In 2006, Cassini managed to do this in a mosaic that is routinely cited as the most popular picture ever taken by the satellite. It shows Saturn as a translucent orb surrounded by its rings, with Earth - a speck so small you could almost miss it - sitting in the upper-left of the frame. It is visible just inside the planet's faint G-ring. Porco believes that her Ciclops team can improve on the 2006 picture, especially if they use their high resolution camera to picture Earth during the 19 July opportunity. No science is being interrupted for the purpose of getting the new mosaic. Researchers who will be working through the eclipse to gather infrared data on Saturn have agreed to accommodate Porco in her quest to acquire what should be another spectacular vista. Opportunities like this are few and far between, particularly given that Cassini is moving towards the end of its mission. NASA has determined that it will crash the probe into Saturn's atmosphere in 2017, but may pull the plug even earlier if its budget becomes severely constrained in the fiscal squeeze now afflicting US federal agencies. Although Cassini has been at Saturn for nine years now, scientists say there is still much to learn. They plan to use the remaining time to make some manoeuvres that might have been regarded as too risky in the mission's early years. This includes diving between Saturn and the inner C-ring. 'That's kind of a wildly crazy thing to do, but it will give us very high resolution views of the rings,' said Porco. 'And we really want to measure how massive the rings are. We're puzzled by that, and it's important because it plays into how long they've been around.'

Meanwhile, isn't it just shocking some of the things they'll allow on TV these days? And, from that nice Mister Shearer as well. Shouldn't be allowed.
England's ODI cricket team powered into the final of the Champions Trophy with a seven-wicket victory over a South Africa side who once again choked in a major semi-final. Jimmy Anderson (two for fourteen) and James Tredwell (three for nineteen) starred with the ball as the Proteas collapsed to eighty for eight before a ninety five-run stand between David Miller and Rory Kleinveldt hauled them to one hundred and seventy five all out. Jonathan Trott scored a typically measured unbeaten eighty two as England passed their modest target in 37.3 overs to reach their first global fifty-over final since 2004. The hosts will play the winners of Thursday's second semi-final between India and Sri Lanka in Sunday's final at Edgbaston. It is some achievement for Alastair Cook's side, who have calmly shrugged off criticism of their cautious batting tactics in previous games, allegations of ball-tampering and injuries to Kevin Pietersen and Graeme Swann to reach the show piece finale. The question now is whether they can go one better than the 2004 Champions Trophy final, when they were beaten by West Indies at The Oval. For South Africa, this defeat will no doubt be added to their long list of so-called 'chokes' in fifty-over tournaments. The Proteas, who won the inaugural Champions Trophy (then known as the ICC Knock Out) in 1998, infamously threw away a winning position against Australia in the following year's World Cup semi-final and went out of the 2003 World Cup on home soil in the group stage after misinterpreting the Duckworth-Lewis rain rule. Which, to be fair, was really funny. They also suffered batting collapses in losing to Australia and New Zealand at the semi-final and quarter-final stages at the 2007 and 2011 World Cups. After being put in to bat on a humid, overcast morning, South Africa were blown away by a superb opening burst from Anderson and almost entirely derailed by Tredwell, who took three wickets in his first five overs. Colin Ingram was trapped LBW by Anderson with the fifth ball of the innings and Steven Finn followed up with the prize wicket of Hashim Amla in the next over. Amla, who scored an magnificent unbeaten three hundred and eleven against England in last year's Oval test, made a late decision to leave a ball outside off stump and gave Jos Buttler the first of six catches. Robin Peterson and Faf du Plessis's brief rebuilding act was curtailed as Anderson vindicated Cook's decision to extend his spell into a seventh over by removing Peterson LBW with a full, straight ball. South Africa's next five wickets added just thirty five runs, with the England-supporting contingent of the crowd revelling in the mayhem on the hottest day of the year so far. AB de Villiers, whose one-day average exceeds fifty, had a reckless swipe at Stuart Broad and was caught behind before JP Duminy played on to Tredwell. Du Plessis edged Tredwell behind and Ryan McLaren was expertly run out by Trott from slip after a sharply turning ball had deflected off the batsman's pad. Miller announced his intentions by crashing Finn over long-off for six as he led a spirited counter attack with Kleinveldt, who replaced the injured Dale Steyn. They struck twelve boundaries in an entertaining partnership as they dragged South Africa towards respectability. But Broad wrapped up the innings in the space of two balls by having Kleinveldt, for forty three, and Lonwabo Tsotsobe pouched by the excellent Buttler, leaving Miller unbeaten on fifty six. England had openers Cook and Ian Bell caught behind inside the first eleven overs to give South Africa a sniff at forty one for two. But Trott exuded calm authority as he put away anything over-pitched to keep England in the ascendancy. Joe Root struck seven fours and had moved to within two runs of a well-deserved fifty when he was bowled round his legs attempting a paddle sweep off Duminy. By that point, however, with only thirty needed for victory, the match was all but over. Fittingly, it was Trott who struck the winning runs through the covers to see England into the final.

Meanwhile, Cricket Australia has denied claims from the Nine Network that the broadcaster will be 'able to influence' the national team's selection policy as part of the deal between the two parties. Jeffrey Browne, Nine Network's managing director, expressed concern over Australia's current rotation policy and said the tactic was 'a real worry. Last year that balance was skewed too much in favour of resting some players so from now on there will be a lot more discussion between [Cricket Australia] and the broadcaster about that,' the Australian newspaper quoted Browne as claiming He added that it was 'legitimate' to give players a break 'to give them longevity in their careers but they also understand we've got to have the best players on the paddock to rate.' Browne said that the strongest team should be picked as a matter of course: 'I understand why sports want to do that but people at home want to see the best players playing and we urge Cricket Australia to pick the best players every time.' However the Cricket Australia CEO, James Sutherland, issued a statement immediately rebutting Browne's claim. 'Cricket has a long-standing and successful relationship with the Nine Network but team selections and scheduling are matters for Cricket Australia,' said Sutherland. 'The National Selection Panel selects the Australian teams. With the volume of international cricket being played, it will continue to be necessary for us to manage player workloads appropriately. We'll continue to consult with our broadcasters on scheduling issues. It's something we have always done. We have a common goal with our broadcast partners to maximise the number of fans watching and enjoying cricket. We'll consider all ideas and then make the appropriate decisions.' Nine agreed a deal to broadcast Australian cricket for the next five years earlier this month. Cricket Australia is estimated to earn four hundred and fifty million dollars from the package.

On Thursday evening, dear blog reader, yer actual Keith Telly Topping will be attending Uncle Scunthorpe's second-to-last Record Player of the current season at the Tyneside. This week, it's a conceptually-fascinating clash between a right couple of Stiffy's, Ian Dury's New Boots & Panties and Elvis Costello's My Aim is True. Spirit of '77 and a welcome return to some decent music after a couple of dreadful hippie-fests over the last two weeks. Thus, dear blog reader, there's a double bill for yer actual Keith Telly Topping's 33 of the Day. One featuring this.
And, indeed, this.
Proper.

Tuesday, June 18, 2013

Show A Little Tenderness, Before You Go

Mawkish and trite Long Lost Family returned for a new series to top Monday night's ratings on ITV, according to overnight figures. Davina McCall and Nicky Campbell's third run was seen by 5.25 million viewers at 9pm. On BBC1, The ONE Show entertained 3.97m at 7pm, while Panorama interested 2.16m. A repeat of New Tricks brought in 3.09m at 9pm on what was, across the board, a pretty miserable night all round. BBC2's Airport Live was seen by 2.59m at 8pm. Rick Stein's series India secured 2.33m for its opening episode at 9pm. On Channel Four, Food Unwrapped had an audience of 1.32m at 8.30pm, followed by documentary Scientologists At War with 1.33m at 9pm. BBC3's coverage of the Confederation Cup game between Tahiti and Nigeria scored seven hundred and twenty thousand at 7.30pm - almost as many of Nigeria scored, in fact. Victoria Coren Mitchell's quiz Only Connect attracted seven hundred and seventy thousand at 8.30pm.

The White Queen enjoyed a near regal start on BBC1 on Sunday evening, overnight data reveals. The War of the Roses drama topped the ratings on Sunday, launching with 5.34 million overnight viewers at 9pm. Earlier, Countryfile was watched by 4.93m at 7pm, followed by Antiques Roadshow with 4.53m at 8pm. Match of the Day's live Confederations Cup game between Spain and Uruguay scored 1.35m at 10.30pm. BB3's broadcast of Mexico versus Italy brought in 1.03m at 7.30pm. On BBC2, Peter Jones Meets... was down to almost six hundred thousand punters week-on-week at 7pm. Operation Snow Tiger was seen by 1.83m at 8pm. Rise of the Continents secured 1.46m, while the soon-to-be-knighted Tony Robinson his very self starred in a classic Blackadder II episode with 1.41m at 10pm. ITV's Tipping Point with Ben Shephard entertained 2.85m at 7pm. Agatha Christie's Marple dropped over seven hundred thousand viewers from the previous week's Poirot episode being watched by 3.85m at 9pm. On Channel Four, Terror in the Skies had an audience of by nine hundred and sixty six thousand at 8pm. The imported French drama The Returned was down around three hundred thousand punters from the previous week week to nine hundred and eighty four thousand at 9pm. Channel Five's Big Brother held steady at 1.28m sad, crushed victims of society at 9pm, while Once Upon a Time continued with eight hundred and eighty thousand punters at 8pm.

Meanwhile, here's the final and consolidated ratings figures for the Top Twenty shows week-ending 9 June 2013:-
1 Britain's Got Toilets - Sat ITV - 12.23m
2 Coronation Street - Mon ITV - 8.99m
3 EastEnders - Mon BBC1 - 7.36m
4 The Apprentice - Wed BBC1 - 7.29m
5 Emmerdale - Mon ITV - 6.88m
6 Love & Marriage - Wed ITV - 5.22m*
7 The Voice - Fri BBC1 - 5.14m
8 Poirot - Sun ITV - 4.86m*
9 Frankie - Tues BBc1 - 4.71m
10 Formula 1: The Canadian Grand Prix - Sun BBC1 - 4.68m
11 Ten O'Clock News - Mon BBC1 - 4.65m
12 BBC News - Sun BBC1 - 4.55m
13 Paul O'Grady: For The Love Of Dogs - Thurs ITV - 4.44m*
14 The Fall - Mon BBC2 - 4.28m
15 Holby City - Tues BBc1 - 4.14m
16 Watchdog - Wed BBC1 - 3.95m
17 Casualty - Sat BBC1 - 3.94m
18 The Graham Norton Show - Fri BBC1 - 3.94m
19 Six O'Clock News - Tues BBC1 - 3.83m
20 The ONE Show - Tues BBC1 - 3.74m
Programmes marked '*' do not include HD figures.

Craig Charles has 'revealed' that he 'would be interested' in the lead role in Doctor Who. But, he's not going to be offered it, so that's something of a non-story, really. File that one away with the other couple-of-dozen chancers who've grabbed themselves a bit of free publicity by bigging themselves up for a role they haven't got the faintest buggering hope in hell of being offered. And, in other news, Barry Chuckle also threw his hat into the ring for the part. Next ...

Filming for the Call The Midwife Christmas special and third series has started this month in its new home of Chertsey in Surrey. Based on the memoirs of Jennifer Worth, the BBC1 period drama has been a ratings smash, pulling in huge audiences on Sunday nights. Its first series was BBC1's biggest new drama launch on over a decade, while the second series had a consolidated average audience of over ten million. It is the highest-rated drama of the year so far on any channel. Jessica Raine, Miranda Hart, Helen George and Pam Ferris lead the cast. The show will return for a Christmas special and a third series in early 2014. Series three will kick off in 1959 and 'the winds of change are sweeping through the country and the residents of Nonnatus House.' It will have an all-female director line-up for its third series, with episodes due to be helmed by Thea Sharrock, Juliet May, China Moo-Young and Minkie Spiro. Executive producer Pippa Harris said: 'I am very proud of the continued popularity of the show and how series two was so warmly received by the audience. Its success is down to the insightful writing of Heidi Thomas and to our fantastic crew and cast, who I am thrilled are returning for series three to enjoy the dawn of the swinging sixties!'

David Tennant his very self has won a daytime EMMY for his voice work on the Cartoon Network's Star Wars: The Clone Wars series. The actor was named Outstanding Performer in an Animated Program at a ceremony in Los Angeles for voicing Huyang, a droid who trains Jedi on how to build lightsabers. Clone Wars supervising director Dave Filoni said that Tennant's work as the Doctor convinced him that the actor was perfect for Huyang: 'I absolutely loved what David Tennant was doing on Doctor Who. There was such a quizzical nature to his character, a sense of whimsy, but he could still get very powerful emotion out of the character — a lot of intensity, a lot of anger — just an incredible display of range.'

Faded old seventies hasbeen Penelope Keith is returning to television to play Mr Darcy's aunt for the BBC. The Good Life actress will play Lady Catherine de Bourgh in the adaptation of PD James's Pride and Prejudice follow-up, Pemberley. The book places the Jane Austen characters six years on and involved in a murder mystery. Matthew Rhys will follow in Colin Firth's footsteps and take on the role of Darcy. Anna Maxwell Martin will play Elizabeth Bennett, while Matthew Goode takes on the role of George Wickham. It has also been announced that Doctor Who actress Jenna-Louise Coleman will play Lydia Wickham. Trevor Eve and The Thick Of It star Rebecca Front will also join the cast. Death Comes to Pemberley picks up with Elizabeth and Darcy six years after their wedding, when they have two young sons and are preparing for the annual ball at their home. The book, which was an international best-seller, has been adapted by Juliette Towhidi, the writer of Calendar Girls. Filming is currently taking place on location in Yorkshire.

Miranda Hart is to discuss her career in an interview at this year's Edinburgh International Television Festival. The hour-long session will see the Miranda and Call the Midwife star talk about her work ethic, creative process and future plans. Breaking Bad creator and executive producer Vince Gilligan will lead a masterclass on the US drama. The thirty eighth festival will run from 22 to 24 August. More than two thousand delegates from the broadcasting and media industries attend the annual event. Hart is best known for her eponymous BBC1 sitcom which has earned her three Royal Television Society awards in its three series. Breaking Bad is about a terminally ill man who turns to crime in order to provide his family with financial security after he dies. The festival's programme line-up also includes sessions on BBC2's The Great British Bake Off and Channel Four's The Undateables. Brian Henson, son of Jim Henson and an award-winning director, producer and puppeteer in his own right, will give an inside view of the use of puppets and how they have evolved on TV and the big screen, from The Muppet Show to the modern day. Kevin Spacey, the actor and artistic director at the Old Vic theatre, will deliver the festival's keynote MacTaggart lecture.

Notorious rubbish sitcom Birds of a Feather will, reportedly, return for a new series on ITV. And, it'll almost certainly be every bit as worthless and unfunny as the original series on BBC1 was twenty years ago.
A journalist and a prison officer will be charged with conspiracy to commit misconduct in public office over payments to officials, prosecutors say. The Sun's chief foreign correspondent Nick Parker will be charged with three counts of conspiracy. Lee Brockhouse, an officer at HMP Swaleside prison, will be charged with one count of misconduct and one of conspiracy. They will appear at Westminster Magistrates' Court on 11 July. The charges are a result of the Met Police's investigation into alleged payments made to public officials by journalists, known as Operation Elveden. The charges allege that information provided by Brockhouse related to the movement of prisoners, prison procedures and methods used by prisoners to smuggle items into prison, the CPS said. Gregor McGill, a senior lawyer with the Crown Prosecution Service, said: 'It is alleged that on two occasions the Sun newspaper paid money to a public official in exchange for the unauthorised disclosure of information to Nick Parker relating to well-known individuals. It is also alleged that between 23 April 2007 and 27 October 2009, the Sun newspaper paid one thousand seven hundred and fifty pounds to prison officer Lee Brockhouse for the unauthorised disclosure of information to Nick Parker. Additionally, it is alleged that Lee Brockhouse provided similar information to the People newspaper, for which he was paid nine hundred pounds." The charges that Parker faces also allege that during two periods in 2009 he 'conspired together with a public official, namely a police officer, to commit misconduct in a public office.'

The prime minister's former director of communications, and 'chum', Andy Coulson, has appeared in court charged with perjury. The forty five-year-old appeared in private at Glasgow Sheriff Court on Thursday of last week, where he made no plea or declaration and was granted bail. A contempt of court order was granted at the hearing banning media coverage. The order was challenged by a number of media organisations and following legal submissions was lifted on Tuesday by Sheriff John McCormack. And, you simply do not want to mess with Sheriff John. No siree. Coulson - who was adamant that, whilst he might have shot the sheriff, definitely did not shoot the deputy - was represented at last week's hearing by the Dean of the Faculty of Advocates, Richard Keen QC. Coulson had been detained at his London home in a dawn raid in May last year and was then driven more than four hundred miles to Glasgow by officers from Strathclyde Police. He was held at Govan police station, where he was questioned and later charged. Coulson became editor of the disgraced and disgraceful Scum of the World in 2003, before he resigned in 2007. He then served as David Cameron's director of communications before resigning in January 2011.

A British actress and former Hollywood stunt double has sued News Corp and its subsidiary News International, accusing the companies of ordering the hacking of her phone. The suit, the first such claim from America, was filed by Eunice Huthart, a former double for Hollywood star Angelina Jolie. In the suit, the Liverpool resident alleges that messages from family, friends and from Jolie herself were intercepted and in some cases deleted by News International staff or those working on their behalf. In a civil complaint filed on 13 June, Huthart seeks damages for 'violations of federal and California laws' and 'intrusion into private affairs.' According to the IMDB website, Huthart worked as Jolie's stunt double on the films Wanted, Mr and Mrs Smith, and Lara Croft: Tomb Raider. In the court filing, she describes herself as 'a close friend' of Jolie, and says the pair 'often travelled and socialised together.' Huthart said that during 2004 and 2005, some friends and relatives complained that she had not been returning their phone calls, and she, in turn, complained to her mobile phone provider that voice messages were seemingly being lost in their system. She said that Jolie left messages concerning travel arrangements and other plans, which Huthart never received. She added that her daughter left messages complaining about bullying incidents in school in Liverpool, which she also never received - rendering her 'unable to console her daughter.' Huthart said that her husband had also criticised her for not responding to his messages. Huthart says her name, telephone number and other private information appeared in the notes of Glenn Mulcaire, the private investigator who worked for the Scum of the World and was jailed in January 2007 for unlawfully intercepting voicemail messages received by royal aides. Huthart 'believes that they were hacking her cellular telephone as a means to obtain information about Ms Jolie,' says the court filing. According to the suit, the Sun newspaper published several news stories based on information illicitly obtained from Huthart's mobile phone messages. Revelations about phone-hacking led News Corp boss, billionaire tyrant Rupert Murdoch, to close the Scum of the World in shame and ignominy in July 2011. The investigation into phone-hacking claims and payments to public officials for information has led to scores of arrests of journalists, police officers and other public officials. Among those charged were well-known Crystal Tipps lookalike Rebekah Brooks, a former News International executive and Andy Coulson, former Scum of the World editor and ex-communications chief, and 'chum', of David Cameron. Police have identified more than four thousand possible victims of phone-hacking included politicians, celebrities, actors, athletes, relatives of crime victims and dead soldiers and victims of the 7/7 London bombings. The suit comes days before News Corp is to be split into two companies, one for its entertainment assets and the other for its publishing business. Billionaire tyrant Rupert Murdoch is to be the chairman of both firms.

The US is to open direct peace talks with the Taliban, senior White House officials have announced. The first meeting is due to take place in the coming days in Doha, Qatar, where the Taliban have just opened their first official overseas office. What a very good idea. But, what a pity they didn't think of trying talking to each other about a decade ago. It might have saved a lot of people a lot of aggro.

The BBC, ITV, Channel Four and Sky News and other broadcasters are being investigated by the media regulator after almost one thousand complaints about the broadcasting of graphic footage of the Woolwich attack. Ofcom - a politically appointed quango, elected by no one, let us never forget - received a total of seven hundred complaints about TV news coverage of the Woolwich attack in which soldier Lee Rigby died on 22 May, which included graphic scenes filmed by a member of the public on a mobile phone of one of the alleged assailants with blood on their hands. The regulator is investigating whether the broadcast of the footage before the 9pm watershed is in breach of the broadcasting code. About half of the complaints are understood to have been about ITN-produced ITV News, which was the first to broadcast the footage on its 6.30pm bulletin on the day of the murder. Ofcom has received complaints about the Woolwich coverage on 22 May by ITV News, BBC's Six O'Clock News, Channel Four News, Five News, Sky News and programmes on al-Jazeera. There were also two complaints about a BBC1 6pm news bulletin's follow-up coverage on 24 May. According to Ofcom's code, broadcasters must apply 'generally accepted standards' meaning that any material they show which might be offensive or explicit must be able to be justified by context, such as whether children are likely to see it. Last month, an ITV News spokesman defended the decision to broadcast the footage, saying that it was done on 'a public interest basis as the material is integral to understanding the horrific incident. It was editorially justified to show such footage in the aftermath of such a shocking attack,' he said, adding that the broadcasts were pre-faced with a warning that the segment contained graphic scenes. A number of national newspapers also led with front pages showing particularly graphic imagery the day after the attack.

BBC Radio 4's Today programme has been censured by Ofcom - again, a politically appointed quango, elected by no one - over an interview with the full-of-her-own-importance writer Lynda La Plante, during which she used the word 'retard.' Quite why the BBC should have to apologise over this instead of Ms La Plante her very self, is possibly a question best left for another lifetime. No, hang on, let's ask it now, instead.  Why? Why for the love of God, why? The Prime Suspect author was discussing her induction to the Forensic Science Society when she made the remark. She used the word a further two times during the show, which was broadcast in March. Ofcom said that although the first use of the word was editorially justified, the second and third 'had the potential to cause considerable and gratuitous offence.' During the interview, La Plante claimed that she was 'frustrated' at being misquoted in the press and pointed to an article published that day in which she was reported to have used the word 'retard' to describe BBC commissioning editors. Host Sarah Montague questioned the author further on her use of the language. La Plante replied: 'It was a Q&A, somebody said, "How do and where do I send a script to?", and I said "You do not send a script, full script, anywhere, you learn how to do a treatment, because you don't know if there's a retard at the end of that envelope reading it." Suddenly I've called everybody at the BBC a "retard."' Hurriedly attempting to change the subject, Montague said: 'Moving on from that use of language, do you feel that the BBC is not listening to you and not wanting to use your work?' Four listeners - presumably with nothing better to do with their time than whinge - complained to Ofcom over the use of the word. None of their heads exploded, however and the world didn't end in a fireball immediately afterwards so, yes, it's a jolly offensive term and probably should never be used but, seriously, is it worth complaining about? In its response, the BBC said that when La Plante raised the issue of the reported quote, and claimed not to have said it, Montague had assumed that she was denying using an offensive term. The broadcaster considered there was 'editorial justification' for the first use of the word, up to that point because the interviewer believed that she was about to offer a clarification - and, possibly, a denial - about something for which she had been widely criticised, and this merited journalistic exploration. When it became apparent that the clarification was 'considerably less significant' than La Plante seemed to have suggested it might be, it was decided to move on in order to avoid further offence, as challenging the language further may, potentially, have increased the offence caused. Ofcom considered the complaints against guidelines which ensure the broadcast of 'potentially offensive material' is justified by the context. The regulator noted that it was La Plante who first used the word in the programme and also the BBC's reasoning that it was editorially justified to question her about it. However when the author used it again, it was to confirm that she had used it to make a derogatory remark and appeared to not recognise the potential for causing offence or show any contrition. Ofcom considered the broadcast of the word on the second and third occasions 'had the potential to cause considerable and gratuitous offence, and was not justified by the context.' It added that although Montague changed the subject, 'it would have been preferable' if the host had directly recognised the potential for offence and apologise to listeners.
The moral of this story is, it would appear, don't let Lynda La Plante and her offensive mouth within a hundred miles of a broadcaster if you don't want someone to be offended.

The art collector Charles Saatchi has been cautioned for assault after images of him grasping his wife, Nigella Lawson, warmly by the neck appeared in a Sunday newspaper. Scotland Yard said that a seventy-year-old man 'voluntarily attended a Central London police station and accepted a caution for assault' on Monday afternoon. Saatchi had previously claimed that images of him choking the living daylights out of his wife - she has her knockers - had been misinterpreted and merely showed 'a playful tiff.' The photos, published in the Sunday People, were taken about a week ago outside a restaurant in Mayfair, by some scum of the Earth paparazzi. 'The pictures are horrific but give a far more drastic and violent impression of what took place,' Saatchi reportedly told the Evening Standard. Lawson herself has not commented. The police say that they are 'examining the images.' Officers from the Community Safety Unit for Westminster said that they were 'aware' of the article and were 'making inquiries' to see if further investigation was necessary. No complaint has been received at this time, they added. In Monday's Evening Standard, Saatchi said: 'About a week ago, we were sitting outside a restaurant having an intense debate about the children and I held Nigella's neck repeatedly while attempting to emphasise my point. There was no grip, it was a playful tiff. Nigella's tears were because we both hate arguing, not because she had been hurt. We had made up by the time we were home. The paparazzi were congregated outside our house after the story broke yesterday morning, so I told Nigella to take the kids off till the dust settled.' Lawson and Saatchi, a former advertising executive, have been married since 2003. She has two children, Cosima and Bruno, from her previous marriage to the journalist John Diamond, who died in 2001.
Lawson's spokesman confirmed that she had 'left the family home with her children,' but did not say whether it was a permanent or temporary move.
Naughty old disgusting scallywag and filthy rotten rascal Stuart Hall has been sentenced to fifteen months porridge for sexually abusing girls and other assorted dirty badness. And, therefore, will have spent Monday night getting used to the concept of 'slopping out.' The nasty old rotter, eighty three of Wilmslow, admitted fourteen offences which occurred between 1967 and 1985. One of the girls was nine years old when the disgusting scallywag and filthy rotten rascal Hall assaulted her, Preston Crown Court heard. Solicitors representing some of the victims said that proceedings are under way to sue disgusting scallywag and filthy rotten rascal Hall and the BBC for damages. Judge Anthony Russell QC said that disgusting scallywag and filthy rotten rascal Hall had a 'darker side' and took advantage of his 'status as a well-liked celebrity.' The BBC said that it was 'appalled' some of his crimes seemingly took place in connection with his work at the corporation. The ex-Radio 5Live summariser and It's A Knockout host initially insisted the allegations were 'pernicious, callous, cruel and above all spurious.' But, they weren't and he was lying. His barrister, one Crispin Aylett, who sounds like a right good laugh, in a, somewhat pathetic, effort at mitigation told the court that the former broadcaster had 'all of thirteen' victims compared to Jimmy Savile's thirteen hundred. Oh, so that's all right, then. No, actually, Crispin, I don't think it is, mate. And then lawyers wonder why it is that everybody hates them. Sentencing the disgusting scallywag and filthy rotten rascal Hall, Judge Russell said: 'It is clear from the victim statements that I have seen that your brazen attitude when first charged and the public protests of your innocence have added to the distress of some if not all of your victims.' Judge Russell said the disgusting scallywag and filthy rotten rascal Hall had 'given pleasure to millions of people' (which is highly debatable) and was 'known for his genial personality, charm, bonhomie and wit.' Which is, also, debatable. But the judge added: 'There is a darker side to you, one hidden from public view until now, and a side which you were able to conceal taking advantage of your status as a well-liked celebrity.' The judge said that for most of disgusting scallywag and filthy rotten rascal Hall's offences the maximum sentence at the time they were committed was two years, but the remainder carried a potential term of five years. He added: 'The maximum sentence for this type of offence has been significantly increased, since these offences were committed, to ten years.' The attorney general's office said that it had already had 'a small number' of requests to review the sentence to determine if it was 'unduly lenient.' A decision on whether to refer the case to the Court of Appeal on such grounds must be made within twenty eight days. The Crown Prosecution Service said the case shows 'time is no barrier to justice.' Prosecuting barrister Peter Wright QC said Hall's first victim was sixteen at the time of the assault, which happened in late 1967 or early 1968. She met the disgusting scallywag and filthy rotten rascal Hall when he presented her with an award at a school prize-giving and he invited the girl to record some songs at the BBC studios in Piccadilly, Manchester. The court was told disgusting scallywag and filthy rotten rascal Hall bought her a drink in a pub before sexually assaulting her in his car. She burst into tears, telling her parents what had happened after Hall took her home. Her angry father went to find the disgusting scallywag and filthy rotten rascal Hall, presumably to give him a damned good thrashing, but, the disgusting scallywag and filthy rotten rascal Hall was 'nowhere to be seen.' The family - for whatever reason - decided not to report the matter to the police. And, what a very great pity they didn't. If they had, they might have nipped this disgusting and filthy rotten behaviour in the bud at an early stage and saved a lot of other girls and young women a lot of distress. Preston Crown Court previously heard that in the 1980s the disgusting scallywag and filthy rotten rascal Hall molested a nine-year-old girl by putting his hand up her clothing. He also kissed a thirteen-year-old girl on the lips after saying to her: 'People need to show thanks in other ways.' On another occasion, in the 1970s, he fondled the breast of a girl aged sixteen or seventeen, the court was told. Aylett claimed that his client had been arrested 'as a consequence' of the investigations into Jimmy Savile, 'who used young girls on a scale that is simply staggering. Instead, in the dock today is a frightened and bewildered eighty three-year-old man answering for the touching - no more, no less - of all of thirteen, not thirteen hundred, victims over a quarter of a century ago.' In a statement, the corporation said: 'The BBC is appalled that some of Stuart Hall's crimes took place in connection with his work at the BBC and offers an unreserved apology to the people he abused. Dame Linda Dobbs is leading a detailed investigation into Hall's conduct at the BBC and her conclusions will be published as part of the Dame Janet Smith Review later this year.' One count of rape will lie on the court file.

Two French football stars, Franck Ribery and Karim Benzema, are to go on trial in Paris on charges of paying for sex with an underage prostitute. Both deny the allegations and the girl involved, Zahia Dehar, has said neither player knew she was not eighteen at the time. Dehar, now twenty one, is a household name after launching her own fashion label. Under French law, paid sex with someone under the age of eighteen is regarded as sex with a minor - punishable by three years in prison and a forty five thousand-euro fine. Six other people have been charged over the affair, which broke before the 2010 World Cup in South Africa. Some of them are accused of 'aggravated pimping.' Ribery, the Bayern Munich midfielder, escaped his childhood deprivation in Northern France to become one of Europe's highest paid footballing stars. He cultivated a wholesome image as a family man, married to his childhood sweetheart, and also as an observant convert to Islam. But in 2010, he and Benzema, a Real Madrid star, were arrested as part of an investigation into a Paris prostitution ring. Ribery has since admitted he had a quick knee-trembler with the Algerian-born Dehar in Munich in 2009, when she was aged seventeen. Benzema, meanwhile, denies there was any encounter; Dehar says he paid her for sex in 2008, when she was sixteen. In France, the age for consenting sex is fifteen, but soliciting a prostitute under eighteen is a crime. The attitude being, it would appear, why pay for it if you can get it, legally, for free. A very French attitude, frankly. Dehar told investigators that neither footballer had known her real age - because she had lied to them. The state prosecutor had asked for the case to be dropped in November 2009, but the investigating judge said Dehar 'looked so young' that they must have known. Ribery's lawyer, Carlo-Alberto Brusa, says Dehar travelled across borders for paid sex and knew exactly what she was doing. 'In French law, it's not forbidden to make love to a woman and even to pay her for it, what is forbidden is to do it with a minor,' he told the Reuters news agency. 'When a woman travels around Europe by plane, can you imagine thinking for one second that she's a minor?' He will ask on Tuesday for the case to be thrown out. Neither player will appear at the hearings. Following the launch of the high-profile investigation, Dehar became fashion designer Karl Lagerfeld's muse and protegee, launching her own luxury lingerie line. So, she's done all right out of this crime, it would seem.

A homeowner claimed that they did not think they had to pay their TV licence fee because their pet was 'related to one of the Queen's dogs.' Other laughably implausible excuses given to officials by evaders last year included watching a stolen TV set, the TV Licensing authority said. More than four hundred thousand people were caught watching TV without a licence in 2012. UK residents are legally required to have a licence if they watch or record TV at the same time as it is broadcast or could face a fine of up to a grand. A colour TV licence costs £145.50 while a black-and-white licence costs just forty nine smackers. In January, TV Licensing revealed that more than thirteen thousand households across the UK were still using black-and-white television sets. Excuses for non-payment given last year included: 'Apparently my dog, which is a corgi, was related to the Queen's dog so I didn't think I needed a TV licence'; 'Why would I need a TV licence for a TV I stole? Nobody knows I've got it'; 'Only my three-year-old son watches the TV. Can you take it out of the family allowance I receive for him? He watches it so he should pay'; 'I had not paid as I received a lethal injection'; 'I don't want to pay for a licence for a full year. Knowing my luck I'll be dead in six months and won't get value for money' and 'I have lost weight recently and had to buy new clothes. That's why I could not afford to buy a TV licence.' TV Licensing spokesman Stephen Farmer said: 'Some of the excuses are simply hilarious whilst others show a great deal of imagination and creativity but being caught without a valid TV licence is a criminal offence and no laughing matter. Joking and wacky excuses apart, it's breaking the law to watch live television without a licence so anybody doing this risks prosecution and a fine of up to one thousand pounds.'

Flop ITV sitcom Vicious, featuring Sir Ian McKellen and Derek Jacobi as an ageing gay couple, has been accused of 'peddling homosexual cliches' would would make 'John Inman look restrained.' Barry Cryer, the veteran comedy writer and performer, said that Vicious had 'fallen into the trap' of trying to be funny all the time rather than developing characters people could identify with. Which is, presumably, why audience figures have fallen through the floor after a very promising start. That and the fact that it's rubbish, of course. 'A sitcom with two old gays could be really good and moving. With two great actors in Sir Ian McKellen and Derek Jacobi it should be fantastic,' Cryer writes in the latest Radio Times. 'But it was insult, insult, insult every other line. You don't believe in them. It made John Inman look restrained.' Cryer, seventy eight, whose credits include The Two Ronnies and The Morecambe & Wise Show, said Vicious was part of an era of 'back-to-basic sitcoms' including Mrs Brown's Boys and The Wright Way which had forgotten the importance of 'great characters trapped in a situation. It's a serious business writing comedy. You don't necessarily need funny lines all the time. The key is to create characters. Characters people can identify with. But right now we've gone back at least thirty years in terms of format,' he added. 'The great sitcom writers of the past didn't think jokes were remotely important.' Cryer said writers such as Ray Galton and Alan Simpson, Johnny Speight and Dick Clement and Ian La Frenais knew this instinctively and just wrote great characters. 'It's straightforward stuff: character, character, character. You don't need jokes, you don't need funny lines. The humour will come because the secret to the truly funny sitcoms is simple – they are basically all about life.' Barry, who has written for Tommy Cooper, Les Dawson, Kenny Everett and Frankie Howerd in his long career, does rate Rev and Miranda – even though, with regard to the latter, 'the falling down has got a bit out of hand.' But he holds out hope for the future of sitcom, saying: 'We will laugh again soon.'

Two companies which appear in BBC3 series The Call Centre have been issued with fines related to nuisance calls. The Information Commissioner's Office issued penalties to Nationwide Energy Services of one hundred and twenty five thousand notes and to We Claim You Gain of a hundred grand. The ICO said the sums include the first penalties linked to nuisance calls over Payment Protection Insurance. Both companies said they intended to appeal, saying the fines were not the 'appropriate course of action.' As someone who is constantly pestered by nuisance calls of exactly the kind provided by these two companies, yer actual Keith Telly Topping is somewhat forced to agree, fining them such a large amount doesn't fit the crime. Stringing them up by their bollocks from the ceiling is a far more suitable punishment. Nationwide Energy Services and We Claim You Gain are part of Save Britain Money Ltd, which is based in Swansea. The penalties were issued in response to two thousand seven hundred complaints to the Telephone Preference Service or reports to the ICO using its online survey between May 2011 and the end of December 2012. The ICO said that neither company had carried out adequate checks to see whether the people they were calling had registered with the Telephone Preference Service. In a statement, Nationwide Energy Services and We Claim You Gain said they 'remain committed to the best interests of our customers at all times.' It said it 'did not accept' that issuing fines was 'the appropriate course of action' and said it would be issuing a formal appeal to the ICO shortly. Under the Privacy and Electronic Communications Regulations governing electronic marketing, call centres have a responsibility to check if people are registered on the TPS. ICO director of operations Simon Entwisle told the BBC that the investigation into the call centres had been ongoing for more than a year. 'We've given the companies ample opportunities to put things right, but unfortunately they've not been able to stop the complaints flowing in about their cold calls.' The ICO has issued fines totalling more than three quarters of a million smackers to companies who have breached the regulations. It is currently carrying out ten more investigations. The call centres are the subject of a fly-on-the-wall documentary The Call Centre which began on 4 June 2013 on BBC3.

A Greek court has ordered that state broadcaster ERT, which was shut down by the government last week, can resume transmissions. However, the court also upheld a plan by Prime Minister Antonis Samaras to replace ERT with a smaller broadcaster. The ruling came as Samaras and his coalition partners - furious that they had not been consulted about ERT's closure - held crisis talks. The prime minister's decision triggered mass protests across the country and both national and international condemnation. The leading party in the governing coalition, the conservative New Democracy, said last Tuesday that ERT suffered from 'chronic mismanagement, lack of transparency and waste.' It shut the broadcaster down with the loss of nearly two thousand seven hundred jobs. Viewers saw TV screens go black as the signal was switched off. Greece's top administrative court - the Council of State - upheld Samaras's plan to replace ERT with a new broadcaster later this year but backed the position of the other coalition partners that the signal must be restored in the interim. Some ERT journalists have continued live broadcasts unauthorised over the Internet, and when the ruling came through, a strapline across the screen said: 'In a few hours ERT will be broadcasting everywhere.' The case was brought by ERT's union in an attempt to overturn Samaras's surprise move. Each side will claim victory, but in the end the unity of the government has been badly weakened. During talks, Samaras had suggested a new, leaner, cheaper broadcaster would be established within weeks and he proposed hiring a small team to produce news programmes in the interim. But this idea was rejected by his two coalition partners - Evangelos Venizelos of Pasok and Fotis Kouvelis of the Democratic Left. 'The court decision is essentially in line with what we've said: no one has the right to shut down national radio and television and turn screens black,' said Kouvelis after the emergency talks ended. The row has threatened to topple the government and force Greece into snap elections, triggering political turmoil with implications for the whole Eurozone.

'There's something a bit whiffy going on in the bowels of the BBC' claims some hippie louse Communist arsehole scumbag of absolutely no importance in a typically sneering and despicably rancid piece of anti-BBC diarrhoea in the Gruniad Morning Star. So, no change there, then. It seems that ten days after the Queen opened New Broadcasting House, staff on the 'lower levels' (that's the basement to you and me dear blog reader) have started complaining about toilets over-flowing and a 'gut-churning stench' which 'makes it hard to concentrate.' One alleged BBC worker allegedly keen to allegedly provide alleged details to the Sun allegedly said that it was because the toilets in the bowels of the building are lower than the London sewer level, meaning that 'waste has to travel against gravity' and, as a consequence, blockages occur. A spokesman attempted to clean up the PR stink, saying that all of this was 'a temporary issue.' Or, you know, a flash in the pan, if you like.

And speaking of the stink of shit, the alleged 'psychic' Derek Acorah was apparently forced to cancel a show earlier this month due to 'unforeseen circumstances.' The irony of which is, this blogger trusts, lost on no one. The controversial alleged medium, who rose to infamy on Most Haunted, before he got very amusingly sacked after being found out to be a fraud, was due to perform at Carnegie Hall in Dunfermline on 8 June. A statement on the venue's website read: 'Please note - the performance at Carnegie Hall has been cancelled due to unforeseen circumstances.' One - nameless, and almost certainly fictitious - 'fan' allegedly told the Sunday People: 'How can a psychic have his show cancelled due to "unforeseen circumstances"? You would think he would have seen it coming.' Yes. You would. Acorah's booking agent Brian Shaw said that the show had been moved to the Adam Smith Theatre in Kirkcaldy on 11 September due to 'the other upcoming dates and for personal reasons.' Acorah, who claims - unconvincingly - that he can speak to dead people by contacting his Ethiopian spirit guide, Sam, was accused of being a total and utter fraud in 2005 by Most Haunted's psychologist Dr Ciaran O'Keeffe.
Defence officials allegedly issued a confidential 'D notice' to the BBC and other media groups in an attempt to censor coverage of surveillance tactics employed by intelligence agencies in the UK and US claim the Gruniad Morning Star. So, therefore, it's confidential no longer. As if the Gruniad aren't in enough trouble with the Americans already. Editors were, reportedly, asked not to publish any information which may 'jeopardise both national security and possibly UK personnel' in the warning issued on 7 June, a day after the Gruniad first revealed details of the National Security Agency's secret Prism programme. The 'D notice', which was, apparently, marked 'private and confidential: not for publication, broadcast or use on social media', was made public on the Guido Fawkes's Westminster gossip blog, Order Order. I suppose, given the wording of the notice, me actually telling you this could potentially see yer actual Keith Telly Topping dragged off in irons to Tyburn although, given that From The North is merely reporting what a national newspaper reported that another blog has alleged, I think this blogger is, probably, safe from a visit from Special Branch. Let's face it, those chaps have got bigger fish to fry than yer actual Keith Telly Topping his very self. And, if they haven't, dear blog reader, then I think that's something we really should all be worried about! 'Although only advisory for editors, the self-censorship system is intended to prevent the media from making "inadvertent public disclosure of information that would compromise UK military and intelligence operations and methods"' the Gruniad states. The warning was, they claim, issued by defence officials in the UK as the BBC, ITN, Sky News and other newspapers and broadcasters around the world covered the surveillance revelations disclosed by Edward Snowden. The leaks, reported extensively in the Gruniad and also the Washington Post, have made headlines on both sides of the Atlantic for more than a week. It is not clear what impact the warning has had on media coverage of Snowden's revelations relating to British intelligence - if, indeed, any.
Notorious full-of-her-own-importance self-publicist Nadine Dorries has said she would like to appear on Strictly Come Dancing despite getting in trouble for her exploits on another TV show last year. The Conservative MP was suspended after she flew to Australia to take part in I'm A Z-List Former Celebrity Desperate To Get My Boat-Race Back On TV ... Please Vote For Me To Stay Here As Long As Possible (I'll Even Eat Worms If You Want), but had the party whip restored six months later. Dorries told Total Politics that her constituents 'absolutely loved' her for it and she would consider other offers. Whether her constituents really did enjoy seeing their MP swanning around the jungle with Ant and/or Dec, we'll have to wait until the next election to find out, but I'm guessing probably a fair number of them weren't all that impressed. Dorries also said Boris Johnson would 'definitely' become Tory leader one day. The MP, who has been a frequent critic of David Cameron and George Osborne, said that those who believed the Conservatives would definitely win an outright majority at the next election were 'naive' and delusional. 'I understand it's important to put out the message that we're going to have a Conservative majority with Cameron [but] the people who say that are foolhardy and setting themselves up to look like idiots,' she said in an interview for the monthly magazine.

Legendary Formula 1 commentator Murray Walker has been diagnosed with cancer. The eighty nine-year-old said he had a form of lymphatic system cancer, which was diagnosed during tests after a fall in which he broke his pelvis last month. 'They've caught it incredibly early. It's treatable, the doctors say my condition is mild and I'm very hopeful,' Murray said. He is to have a programme of chemotherapy over the next few months in an attempt to cure the disease. He has cancelled his plans to attend the British Grand Prix over the weekend of 28 to 30 June. BBC F1 editor Mark Wilkin said: 'I spoke with Murray this afternoon and it's good to hear he's in good spirits. Our thoughts are with him and we're all really hopeful he can make a full recovery.' As, indeed, do we all at From The North. Murray has become synonymous with F1 over more than thirty years of commentary, first with the BBC and then with ITV. He retired from full-time commentary after the 2001 season but has continued to work in F1, where he is regarded with great affection and admiration throughout the sport. Since the BBC regained the television rights to the sport at the start of the 2009 season, he has been involved in a series of features on the BBC Sport website. These have included Classic F1, F1's Greatest Drivers and, this year, Murray's Memories. As a broadcaster, he is famous for his high-energy commentary style and his propensity to mis-speak in an amusingly self-deprecating manner.

Bradford's National Media Museum will not close, MPs say they have been told. The city's MPs met the lack of culture minister the vile and odious rascal Vaizey this week, and claimed that he told them any closure would be 'unacceptable.' George Galloway, MP for Bradford West, said: 'We have had a categorical assurance from him that the media museum in Bradford will not close.' The government did not not confirm the vile and odious rascal Vaizey's comments but said: 'We are clear about the value of the [museum] to the local area and to the UK.' A campaign to save the museum started after its owner, the Science Museum Group, said that it would have to close one of its three museums in the North if its budgets were cut by a forecast ten per cent in the next government spending review. As well as the Media Museum the group runs the Museum of Science and Industry in Manchester, the National Railway Museum in York and the Science Museum in London. The assurance about the museum follows a reported agreement between the Department for Culture, Media and Sport and the Treasury that the department's spending will be cut by eight per cent for 2015-16 and arts and museums will share less of the burden with a five per cent reduction. Bradford East Lib Dem MP David Ward said the vile and odious rascal Vaizey had expressed regret 'that it got to the stage that it got to. I think it was welcoming for him to regret the alarm that had been caused.' Visitor numbers at the museum have fallen in recent years and Ward and Galloway said that all parties 'acknowledged' that something needed to be done to secure its long-term future. The MPs said there were no discussions or assurances given about the museums in York and Manchester at the meeting. Hugh Bayley, Labour MP for York Central, said he did not think the vile and odious rascal Vaizey's comments 'makes any difference at all' to the future of the three museums and he would wait for the outcome of the spending review.

'Dad dancing' and 'tweet' are among the new and revised entries in the latest edition of the Oxford English Dictionary. The OED announced the new additions - which also include 'epic', 'flash mob', 'geekery' and 'headfuck' - in its quarterly update. Social networking is heavily represented in the revisions, with the existing entries for the words 'follow' (verb), 'follower' (noun) and 'tweet' (noun and verb) expanded to include social media definitions. Oxford English Dictionary chief editor John Simpson said: 'The noun and verb tweet (in the social-networking sense) has just been added to the OED. This breaks at least one OED rule, namely that a new word needs to be current for ten years before consideration for inclusion. But it seems to be catching on.' The well-known phrase 'dad dancing' has been added as a noun and is defined as 'an awkward, unfashionable or unrestrained style of dancing to pop music, as characteristically performed by middle-aged or older men.' Meanwhile, the word 'epic' has been expanded to mean 'particularly impressive or remarkable; excellent, outstanding, awesome.'

For today's Keith Telly Topping's 45 of the Day, yer actual Keith Telly Topping remains, extremely deep, in a Tamla-Motown mood at the moment. (Well, it's summer, what the hell do you expect?) So, dear blog reader, here's yer actual Kim Weston her very self, and a twenty-four carat classic. And, standing on 2001: A Space Odyssey's obelisk by the look of things.

Monday, June 17, 2013

Week Twenty Six: I Have Visions Of Many Things

The Voice demonstrated a significant degree of bouncebackability after the previous week's series low with 5.81 million overnight punters watching this week's episode on BBC1 from 7pm on Saturday. The BBC1 show was up by 1.6m overnight viewers on the previous episode, which had switched to a Friday slot to avoid a clash with the final of Britain's Got Toilets. The Voice peaked at 6.26m. ITV, having lorded it over the BBC big-style(e), for the last six or seven Saturday's massively suffered from the absence of Britain's Got Toilets, attracting but 3.2m for computer animated movie Despicable Me at 6.45pm. Goodbye Granadaland, which saw gloriously unfunny professional Northerner Peter Kay and various other b-list celebrities bid farewell to the Granada Studios, followed at 8.30pm with 2.1 million viewers. The third episode of imported US thriller The Americans had 1.1m at 10pm, down seven hundred thousand viewers on last week. Meanwhile, on BBC1, Casualty was watched by 4.43m at 9.30pm and Match Of The Day pulled in 1.68m at 10.30pm. BBC2 broadcast coverage of the Trooping the Colour pageant between 6.30pm and 8pm, being watched by 1.8m. England's rugby union clash with Argentina followed with 1.3m at 8pm and the film A Serious Man was seen by five hundred and thirty thousand viewers from 10pm. Channel Four showed The World's Weirdest Weather to eight hundred and ninety thousand at 7pm and The Million Pound Drop Live to 1.2m an hour later. Date Night was watched by nine hundred thousand viewers at 9.30pm. Elsewhere, a double-bill of NCIS had an audience of seven hundred and two thousand and 1.1m respectively from 8.15pm on Channel Five, while the latest episode of Big Brother had 1.2m at 9.15pm, down over seven hundred thousand on the previous evening's second launch episode. Match of the Day Live was the highest rated show on the multi-channels, picking up nine hundred and twenty one thousand viewers on BBC3 at 7.30pm.

The second episode of Big Brother brought 1.96 million viewers to Channel Five from 9pm on Friday, overnight data shows. The show, which introduced housemates including socialite Gina Rio and mother-daughter duo Jackie and Charlie, apparently, held on to most of its viewers from Thursday's launch episode. On BBC1, Miranda earned 3.27m at 9pm and Mrs Brown's Boys had 3.65m half-an-hour later. Earlier, Would I Lie To You? was watched by 2.55m at 8.30pm, while The Graham Norton Show was had an audience of 3.5m punters at 10.45pm. On BBC2, Antiques Road Trip interested 1.12m from 6.45pm and The Time Traveller's Guide to Elizabethan England continued with 1.38m at 9pm. Ben Fogle's Harbour Lives attracted 3.49m to ITV at 8pm and David Lynch's 2006 movie Inland Empire pulled in one hundred and sixty thousand viewers from 10.45pm. Meanwhile, Channel Four's The Million Pound Drop Live had 1.52m at 9pm and bloody unfunny Micky Flanagan's Out Out Tour was watched by one million sad crushed victims of society with nothing better to do with their lives an hour later.

Britain stood on a political cliff-edge three years ago as the three main parties negotiated to form a coalition government. Now a drama will attempt to show the conflict and tensions inside Downing Street as the country waited to hear who would form the next government. The drama, by Richard Cottan, writer of the BBC's praised adaptation of Wallander, is to be based on the recent book by former Labour minister Lord Andrew Adonis. After a fraught bidding war between television production companies, the rights to turn Five Days in May into a screenplay were secured last week by the production team behind the BBC police drama Line of Duty and the post-second world war spy series The Bletchley Circle. The coalition drama will centre on the frantic deals being cut by a small cast of characters – including Gordon Brown, Paddy Ashdown, Ed Balls, Nick Clegg, David Laws, Alastair Campbell, Peter Mandelson and Adonis himself – during day and night sessions in Westminster. Cottan, who also wrote the much-admired Thatcher TV drama Margaret starring Lindsay Duncan in 2009, is expected to stick closely to the structure of Adonis's book, which critics have compared to a taut political thriller. 'It is very exciting,' said Adonis this weekend, admitting that he is the rather unlikely fulcrum of such intense activity in the entertainment industry. 'I wrote it all down at the time because I wanted to bring it to life for other people. Then looking at again a few years later, I also wanted to give readers a sense of the electric drama and to get it across as a real-time narrative, the way it felt for us.' Another writer who is believed to have wanted to turn the book into a drama was the playwright James Graham, author of the National Theatre's recent production This House, which centred on Harold Wilson's Labour government's struggle to survive a hung parliament and a tiny majority from 1974 to 1979. Simon Heath, creative director of the successful bidder, World Productions, said the first-person point-of-view of Adonis's book, which begins with a listed dramatis personae like a play, made it a natural for adaptation. 'Quite soon after the election I had a discussion about whether this would make a drama,' he said. 'Now, three years on, we have been given a final act for the story. What has happened since ensures that the events described in the book are shot through with a good deal of retrospective irony.' Heath believes part of the power of the drama will also lie in a sense shared by many of the electorate that 'we were all a little bit hoodwinked.' Like Adonis, he argues that the story serves as a warning against the way that significant political decisions are often taken under duress by people who are sometimes prepared to abandon a policy simply because they are tired. 'There is always drama in showing the decline of a significant empire, whether it is the Romans or New Labour,' he said. 'With this particular drama, we also want to ask if our governments should be constructed in this way.' Adonis, who has returned to the Labour fold after working in a non-partisan thinktank and is now working on the new manifesto, said he chose World Productions because of their track record of quality television. 'I was surprised by the level of interest, but what was quite striking is that almost every review said it read like a play. I am quite curious to see who plays Gordon Brown. David Morrissey was excellent in The Deal.' Despite the eventual outcome of the negotiations, David Cameron never appears in Adonis's book. 'In a sense, the key player is not there throughout,' Adonis said, 'and that helps make it more dramatically effective, so it will interesting to see if they keep this element. I haven't discussed how they will adapt it and I take the view that the artists should now get on with it.' Heath said that although plans are at an early stage the focus will probably stay on the New Labour bunker and the screenplay is likely to stick to the same tight, five-day timeframe. World Productions have also handled Westminster before in the drama series Party Animals which introduced several fresh acting stars, including Matt Smith, Andrew Buchan and Andrea Riseborough. Since the broadcast of The Deal in 2003, the appetite for political drama seems to have grown both on television and in live theatre. Peter Mullan and Tony Slattery have both played Brown and Nathaniel Parker is currently playing him in the West End in The Audience, starring Helen Mirren. A new one-man play, The Confessions of Gordon Brown, previews this week in London, ahead of a month-long run at the Edinburgh Fringe. Inspired by the idea of Brown as a Shakespearean tragic hero, writer Kevin Toolis will concentrate on the time the former prime minister has spent in Kirkcaldy since losing the election and will star the Scottish actor Ian Grieve in the title role. Toolis said that he had looked for an actor 'with the same demonic energy' as Brown but the real demon of Adonis's piece, and therefore perhaps the plum acting role, is Paddy Ashdown, who tells the Labour deal-makers they are not offering enough and that Brown's attitude has been rude. 'There is more interest in political drama now and I wonder if it is because we are little less differential since the Thatcher and Major eras,' said Heath. 'The Deal was one of the defining pieces of recent years, because it was about male friendship and betrayal, which are staple elements of drama.' Heath concedes there are few parts on offer for female actors and will not comment on whether Gillian Anderson or Romola Garai might consider the part of Sarah Brown. 'The lack of women is a reflection of the reality of that world that we see in the book,' he said.

Here's the latest batch of yer actual Top Telly Tips:-

Saturday 22 June
The Many Faces of Helen Mirren- 8:00 BBC2 - is, as you might expect from such a title, a profile of the actress, who started her career in theatre in the 1960s and appeared with the RSC before going on to make her mark in the worlds of film and television. It's an indication of the depth of the nation's love for Dame Helen Mirren (not to mention its occasional moronic stupidity) that when Matt Smith announced he was leaving the TARDIS, there was a (crassly media-created) clamour for Dame Helen her very self to take over his role as The Doctor. Not that such a conceit was ever even remotely likely to happen - the BBC, quite simply, couldn't afford her apart from anything else. But, it's typical of how her name – and the Grand Dame her very self – crops up in the most unexpected areas, including giving a group of intrusive drummers an earful when they disturbed a performance of her play The Audience earlier this year. Her portrayal of detective Jane Tennison in ITV drama Prime Suspect made her a household name in the UK, but it was her Oscar-winning performance as Elizabeth II in 2006 film The Queen that propelled her to international stardom. In recent years she has balanced Hollywood commitments with a return to her first love - the stage.

The actress Sarah Alexander and her husband, actor and - not especially funny - comedian Peter Serafinowicz, play The Million Pound Drop Live - 9:00 Channel Four - aiming to win as much money as possible for charity by answering questions correctly and avoiding the trapdoors. Because, there's not enough misery in the world already. The couple face losing piles of cash every time they slip up, but if they manage to reach the end, there's a chance to double their winnings. Davina McCall presents.

An assassination attempt on President Reagan causes chaos in both the FBI and KGB as Phillip and Elizabeth race against the clock to find out who was responsible in The Americans - 9:45 ITV. Meanwhile, Stan puts himself in danger and risks exposing his mole to investigate the attack, and prepares for the worst-case scenario along with his wife - but they have a difference of opinion about sharing information with their superiors. The undercover KGB agents Phillip and Elizabeth Jennings (Matthew Rhys and Keri Russell) are enjoying a bit of, ahem, decadent Western 'afternoon delight' in a Washington hotel room, oblivious to the breaking news – someone has tried to assassinate the President. The world is immediately pitched into chaos and paranoia. But FBI boss Frank Gaad (former John-Boy Walton his very self, Richard Thomas) fears that the Soviets are behind it: 'I need to know where every KGB agent in the country is and where they've been during the past twenty four hours,' he yells, Jack Bauer-style. This is another thoughtful, thrilling episode as Phillip and Elizabeth wrestle with their wildly differing world views.

Sunday 23 June
Elizabeth silences the naysayers with a lavish coronation, and further ensures her family's security by marrying off her sisters to the nobility in The White Queen - 9:00 BBC1. But her rise means the fall of the Lancastrians, with many stripped of their titles - and when young Henry Tudor is among them, his mother, Margaret Beaufort, is furious. Oooo, spitting mad, so she is. Meanwhile, Isabel and Anne Neville also resent the Rivers' rise to power, especially as there are few noblemen left to marry and the queen has driven a wedge between their father and the king. However, Warwick tells his daughters he has a plan - if only King Edward will agree. Epic historical drama set against the backdrop of the Wars of the Roses, starring Rebecca Ferguson, Amanda Hale and Faye Marsay.

Last year Horizon put out a powerful programme about the risks of 'space weather' and solar storms in particular. It was full of those hypnotic close-up shots of the Sun's surface, all churning plasma and erupting flares – which is the kind of thing we can expect in The Secret Life Of The Sun - 8:00 BBC2 - as Kate Humble and Helen Czerski give us a guide to the inner workings of our local star, ninety million miles away. They discover why the solar light reaching us can be up to a million years old and meet the teams who protect us by keeping a vigil on the Sun, which is more active at the moment than it has been for a decade. Using satellite images and the expertise of Britain's leading solar scientists, Kate and Helen investigate the inner workings of the star and the influence its cycles of activity have on the Earth. They reveal the sun is more active at present, sending out super-heated plasma and waves of radiation, and examine why some experts think longer-term changes in its behaviour may have powerful effects on the world's climate.

In Agatha Christie's Marple - 8:00 ITV - the sleuth helps an old friend find refuge at country house Greenshaw's Folly, but a sinister shadow falls over the strange building's various inhabitants and a murderer strikes. Miss Marple uncovers secrets from the past as a dangerous storm gathers and the bodies start to pile up. Kindly Miss Marple offers shelter to a friend who's on the run from her abusive husband with their young son. Jane (Julia McKenzie) finds them a berth at the rambling country house of her friend, a barmy botanist (the magnificent Fiona Shaw). But the place is - inevitably - packed with weirdos, including a very off-hand factotum (played by Vic Reeves) who puts the fear of God into the little boy when he tells him that the house is stalked by a ghost. Everyone is terribly gnomic and, as the body count starts to rise, it seems that there really is a hooded spectral figure gliding through the corridors of the house. McKenzie heads an all-star cast which also includes Kimberley Nixon, Robert Glenister, Julia Sawalha, Judy Parfitt and Matt Willis.
Monday 24 June
Two teams who won their first-round games in Only Connect - 8;30 BBC4 - strut back into the studio like they own the place to compete for a spot in the semi-finals. For the losers, it's the ignominy of dropping back into this series' byzantine elimination system, to face another team which has won one and lost one in a battle of the mediocrities. Anyway, tonight you'd occasionally be forgiven for thinking that we were already in the rarefied later stages, since the sequences round in particular is something of a killer. Remember that low culture is as important on this show as classical scholarship. The highlight of the show's unique banter during this particular episode: Saucy minx Victoria Coren-Mitchell's impersonation of an angry Welsh woman.

Rick Stein meets the ninety one-year-old owner of a Parsee restaurant in the latest leg of his epic journey to find the world's best curry Rick Stein's India - 9:00 BBC2. The gentleman, who remembers the Raj fondly, is an ardent monarchist. He bids Stein: 'Please give all my love to Her Majesty Queen Elizabeth and please tell her we want her back.' You can have her, pal. The chef visits Mumbai in search of the bombil, the fish used in Bombay Duck and also enjoys Parsee hospitality learning about their massive contribution to Indian cuisine. He then heads South to Pondicherry, where locals prepare Indian dishes with a French twist, before moving North along the coast to Mamallapuram, where he samples one of the best fish curries he has ever had. Rick also demonstrates how to make popular Parsee chicken dish sali murgh and personal favourite aloo mattar. To Rick, and probably a lot of others - this blogger included - 'there's something about a curry that's all pervading. Just the thought of it ignites a longing deep inside us.' So expect your longings to be burning like bonfires by the end of this glorious hour as he samples Indian street food and curries, from prawn cutlets to mulligatawny soup.
Yer actual Rachel Riley her very self and Jason Bradbury - who still has a career after Don't Scare The Hare much to many people's surprise - team up with cosmetic dentist James Russell to put the latest electric toothbrushes through their paces and Jon Bentley is in Amsterdam to test new Android smartphones in the latest episode of The Gadget Show - 8:00 Channel Five. Pollyanna Woodward, meanwhile, comes face-to-face with The Mantis, a British-designed mechanical beast with six legs which can be controlled from its cockpit or by Wi-fi and former swimmer Mark Foster gives his verdict on three waterproof MP3 players.
Tuesday 25 June
Brian Cox (no, the other one) is furious: 'Bastards! The injustice of it is astonishing. It's an absolute outrage.' No, he's not talking about the fact that Jack Whitehall is alive and getting paid as well but, rather, he's just learned that his disabled great-grandfather was, officially, classed as 'a malingerer' in the opening episode of Secrets From The Workhouse - 9:00 ITV. Damned by a Victorian classification system which drew distinctions between the 'deserving' and the 'undeserving' poor, Brian's unfortunate relative went from workhouse to workhouse. His is one of a clutch of stories revealed to often tearful celebrities about their ill-used, poverty-stricken ancestors in this narrower version of the BBC's Who Do You Think You Are? (tellingly, it's made by the same production company). TV presenter Fern Britton discovers the ignominy faced by one of her relatives even after his death in the workhouse, whilst novelist Barbara Taylor Bradford goes to Ripon in North Yorkshire, to the forbidding institution that was, once, the home to her mother. Along with Cox, Brittan and Taylor Bradford, the model Kiera Chaplin - grand-daughter of Charlie Chaplin - go on an emotional journey to uncover how her ancestors was driven into the Victorian workhouse by poverty.

For some reason, CSI - 9:00 Channel Five - not-very-subtly references Lost in tonight's episode. Hunting for the trail that a dead man took through the desert, the team find a hidden hatch in the ground (it leads to an impressively furnished underground bunker). That much might be coincidence but the deceased man is also called Abrams, presumably as a nod to Lost creator JJ. Aside from that, it's something of a by-the-book mystery: after a horror-film opening (a young man pursued through the dark by someone with night-vision goggles) the team examine a corpse with an origami bird in his pocket and his hands cut off, leading poor old put-upon Super Dave to bemoan the lack of clues with a cringe-inducing, 'We're stumped.' it probably seemed like a good idea in the writers meeting. A dead body is discovered by a homeless couple and inquiries lead DB and the team to a forest where the victim had gone camping. Nicky and Morgan discover a hatch that leads to a subterranean complex, in which they apprehend Tommy Barnes, who tells them that he has been living underground since his wife was murdered eleven years earlier as he wanted to keep his daughter, Miranda, safe from the outside world. Guest starring Neal McDonough (Desperate Housewives).

BBC4 repeats a genuine bit of TV history tonight at 11:00. Metroland is a classic documentary from 1973, poet Laureate John Betjeman taking a nostalgic look at the branch lines of the London Underground's Metropolitan Line and their meanderings through suburban Middlesex, Hertfordshire and Buckinghamshire. Well worth an hour of your time if you've never seen it before. Or, indeed, even if you have.

The quartet arrive at Lazaro's empty house, where they kill some time by sharing a few home truths and playing the blame game, resulting in a playground-style scuffle in the final episode of the third series of Mad Dogs - 9:00 Sky1. 'Do you know how many times over the last two years I wished that we'd never met?' Baxter snarls at his three mates, who are all behaving like a bunch of school kids. They've pitched up in the South African veldt where they finally meet Lazaro, a growling American who appears to have the power to delete their records and send them all home. The machine-gun-toting Lazaro isn't best pleased by the behaviour of his uninvited guests - but after hearing their story he is, it would seem, happy to help them out. All he wants in return is for them to do his dirty laundry. It seems too good to be true - but, haven't Woody, Quinn, Baxter and Rick learned their lesson by now? Psychological thriller, starring Max Beesley, Philip Glenister, John Simm and Marc Warren.

An investigation into a murderer who plays the vocal cords of his victims like a musical instrument grabs the attention of Hannibal Lecter, who interprets the behaviour as one killer serenading another in Hannibal - 10:00 Sky Living. Meanwhile, Will Graham's mental stability deteriorates further and he turns to Alana for support. But he's hoping for something more than friendly advice. Could a reet good shag be on the cards, at last, for the tortured FBI agent?

Wednesday 26 June
The first day for head teachers at Waterloo Road - 8:00 BBC1 - is always something of a rite of passage. There's no easing in gently or quietly checking over timetables. So, as she takes her place in Michael Byrne's vacated chair, Christine has to deal with a resignation, the arrival of a deputy she knew nothing about, murmurings among the parents about her failings and half the sixth form off 'sick.' In fact, they're at the recording of a kind of Jeremy Kyle Show (with Patrick Baladi as smarmy host, Julian Noble) where Dynasty and her mum are having a very public showdown and Kevin gets a horrible shock when he sees someone from his past in the audience. Back at school, Christine makes a bold start on her first day, despite the obvious tension between her and Nikki, while Maggie faces the heartbreaking prospect of turning off Grantly's life-support machine.

Here's something not generally appreciated about black holes: apparently, the gas spiralling into them becomes so superheated it creates the most powerful source of light in the universe, with the energy of ten million suns. That's very bright. It's the kind of thing you learn watching Horizon, as your mind reels under a gale of bedazzling information about the cosmos, as we discover in the latest episode of the BBC's long-running science show - 9:00 BBC2. But what makes black holes hot, as it were, right now is that the supermassive one at the centre of our own galaxy is about to 'shred' a gas cloud (or possibly a star) that is approaching it at two thousand kilometres a second. That's pretty fast. So, over the next few years astronomers will be able to witness for the first time the workings of what the voiceover calls 'these dark dragons of the cosmos.' It's a great premise for a fascinating programme.

This penultimate season of Mad Men - 10:00 Sky Atlantic - has been a rather curious beast. We've seen Don Draper at his worst while Peggy, Joan and Pete have fought hard for their positions in the workplace. But, at times their actions have struggled to take priority against the turbulent outside world; it's as if the writers have been as stunned by the (real-life) events of 1968 as the (fictional) characters have been in watching them unfold on TV (or is that the industrial quantities of marijuana knocking around?) As the season concludes, times are tough for Don. But is this most charismatic of TV leads still worth redeeming?

Thursday 27 June
Yer actual Peter Powell his very self presents a vintage edition of Top Of The Pops - 7:30 BBC4 - with music by Buzzcocks, Marshall Hain, ELO, yer actual Sho-wuddy-wuddy, San Jose, Clout, Steel Pulse (aw, yeah!), City Boy and Justin Hayward. Plus, a dance sequence by Legs & Co. First broadcast on 6 July 1978.
Classical historian Michael Scott examines the important individuals, objects and ideas of the ancient Greeks to discover what they were like and why their culture spread across the planet in the first of the two-part Who Were The Greeks? - 9:00 BBC2. He begins by exploring how they lived and what they believed in, uncovering a world of gods, democrats and warriors, and reveals many of the country's inhabitants could be as brutal as they were brilliant.

Host Dara O Briain and regulars Chris Addison, Hugh Dennis and Andy Parsons are joined by Gary Delaney, the wretched full-of-herself Holly Walsh and Josh Widdicombe on the latest episode of Mock The Week - 10:00 BBC2 - the topical comedy quiz, with the panellists giving their take on the week's major news stories.

Friday 28 June
Jimmy Carr, actor and comedian Griff Rhys Jones, The Hairy Biker's Dave Myers and news presenter Susanna Reid join team captains David Mitchell and Lee Mack for the panel show Would I Lie To You - 8:30 BBc1 - trying to hoodwink their opponents with absurd facts and plausible lies about themselves. Rob Brydon hosts.
This year's Glastonbury Festival kicks off today with large amounts of live coverage on both BBC3 and BBC4 and two highlights shows on BBC2 - starting at 10:00. Yer actual Dizzee Rascal, Seastick Steve, The Arctic Monkeys, Foals, Tom Tom Club, Portishead, Nile Rodgers, The Horrors and Sinead O'Connor are amongst the featured acts.
To the news, now: Blackadder actor and Time Team host Tony Robinson has been knighted in the Queen's Birthday Honours on a list which also includes his co-star Rowan Atkinson. Sir Tony is famed for his role as long-suffering manservant Baldrick to Atkinson's Edmund Blackadder in the BBC sitcom, and his catchphrase 'I have a cunning plan.' He is recognised for his public and political work, while Atkinson's CBE is for services to drama and charity. Sculptor Anish Kapoor and former secretary general of the TUC, Brendan Barber, are among the other knights. Adele follows up her best song Oscar win with an MBE for services to the baking industry. The same honour goes to singer-songwriter Polly Harvey and the comedian and presenter Rob Brydon. There are OBEs for broadcaster Clare Balding, golfer Paul Lawrie, Red Bull Formula 1 team principal Christian Horner and the novelist Jackie Collins. A total of eleven hundred and eighty people are named on the Birthday Honours list - nearly half of them women - and with seventy two per cent of the recipients people who are actively engaged in charitable or voluntary work within their local communities. The list recognises twenty eight headteachers, with knighthoods or damehoods for five, including Kenneth Gibson, who leads two Tyneside schools described as 'beacons of hope' in a deprived area. Robinson's knighthood recognises his 'lifetime of public and political service with a career as an actor, theatre director, children's author and television presenter.' The sixty six-year-old said that he had been left 'a little gob-smacked. I also pledge that from this day on I'll slaughter all unruly dragons, and rescue any damsels in distress who request my help.' The one-time member of Labour Party's National Executive Committee added: 'I'll use my new title with abandon to highlight the causes I believe in, particularly the importance of culture, the arts and heritage in our society, and the plight of the infirm elderly and their carers.' Atkinson, who first found fame as part of the Not The Nine O'Clock News team in 1979 before going on to star in The Black Adder, and its several sequels - transmitted by the BBC for the first time exactly thirty years ago on Saturday - went on to find international stardom as the bumbling Mister Bean. He said that his CBE was 'a genuine surprise and a great honour.' The same honour also goes to ceramic artist Grayson Perry and veteran screen and stage actress Claire Bloom, who suggested her years in the limelight would not prevent her being nervous about attending an investiture at Buckingham Palace. Thomas Heatherwick, the designer behind the Olympic cauldron, has been made a CBE, while there are OBEs for Edward Barber and Jay Osgerby, who designed the London Olympics and Paralympics torch. The BBC's Sue Lloyd-Roberts becomes a CBE for services to journalism while news presenter Julia Somerville's OBE recognises her work chairing the advisory committee on the government art collection.

Brazil's opening Confederations Cup match was affected by protests at the amount of money the country is using to stage next year's World Cup. Up to a thousand Brazilians demonstrated outside the country's national stadium to vent their anger. Police used tear gas and pepper spray to control protesters, who moved closer to the stadium as fans arrived for a match in which Brazil beat Japan 3-0. There were also reports rubber bullets were used, with fifteen arrests made. Demonstrators held up posters reading: 'We don't need the World Cup' and 'We need money for hospitals and education.' BBC Sport's South American football correspondent Tim Vickery told World Service listeners: 'Brazilian society was explicitly told in 2007 that all of the money spent on stadiums would be private money. It hasn't worked out that way at all. More than ninety per cent of the money being spent on football stadiums is public money.' The Confederations Cup is a dress rehearsal for the World Cup next year and the stadium in Brasilia used for the inaugural match was one of the most expensive of the six built, costing around three hundred and eighty million quid. Vickery added: 'Of the twelve stadiums for the World Cup, some of them are in the heartlands of Brazilian football will be very well used indeed. But there are four - Brasilia plus three others - that you really wonder where the long term viability will be. Brasilia does not have a team in either of the first two divisions of Brazilian football and doesn't really have much of a local football tradition at all. The idea seems to be that it is going to be viable with pop concerts. I'm a little bit dubious about that one.'

England defied the rain and a late New Zealand rally to book their place in the semi-finals of the Champions Trophy with a tense ten-run win at Cardiff. It was a match in which, once again, England's superb bowling attack got them out of a hole after a batting collapse the appeared all too predictable. A target of one hundred and seventy in a game delayed by five hours and reduced to twenty four overs per-side appeared well within the Kiwis' reach after England lost their last seven wickets for twenty eight runs. But the hosts bowled splendidly, especially with the new ball, to restrict New Zealand to one hundred and fifty nine for eight despite Kane Williamson's valiant sixty seven off fifty four balls. Although they spent much of the second innings in the ascendancy, England could breathe easily only when Williamson skied Stuart Broad to James Anderson at extra-cover in the twenty second over. That Broad was millimetres away from being penalised for a no-ball was typical of a day on which England's hopes of progressing hung precariously in the balance. As it is, England, as likely Group A winners, look set to face South Africa in the first semi-final at The Oval on Wednesday. Should Sri Lanka beat Australia on Monday, England will qualify as runners-up and meet India in the last four at Cardiff on Thursday. New Zealand will be knocked out unless Australia win - but only by a margin that ensures the Black Caps maintain their superior net run-rate. A large portion of the credit for England's safe passage must go to Anderson, who claimed two key early wickets and finished with three for thirty two, while Ravi Bopara numbered the dangerous Brendon McCullum in his haul of two for twenty six. The value of Alastair Cook's innings of sixty four off forty seven balls - albeit one in which he was dropped three times by Nathan McCullum - was also made apparent as New Zealand slipped to sixty two for five in reply on a surface that spent much of the day under cover. Anderson was chiefly responsible for inflicting the early damage, inducing a rash pull from Luke Ronchi which found third man and bowling Martin Guptill via an inside edge two balls later. The required run-rate had climbed to more than eight an over by the time Ross Taylor failed to overturn an LBW verdict, but that remained a realistic possibility until Brendon McCullum was superbly taken low down at deep square-leg by Joe Root off Bopara, who also accounted for James Franklin in his next over. Williamson, driving and pulling forcibly, and ODI debutant Corey Anderson, who swung agriculturally, gave England some cause for concern with a sixth-wicket partnership of seventy three off forty five deliveries. Broad atoned for an over from Tim Bresnan that cost nineteen runs by ending Williamson's counter-attack. Corey Anderson perished moments later and James Anderson ended an erratic final over by finding Nathan McCullum's edge to have him caught behind off the final ball of the match. England's innings, which began five and a half hours after they lost the toss, was equally frantic - marked by some rash strokeplay and a lack of clear thinking in the latter overs as Kyle Mills's four for thirty saw him become the leading wicket-taker in Champions Trophy history. Ian Bell had already been reprieved by Franklin when he drilled Mitchell McClenaghan to short extra-cover in the second over and Jonathan Trott clipped Mills to midwicket shortly after before he could send the crowd to sleep with another torpor induced innings. A seventy five-run stand for the third wicket between Cook and Joe Root was far from fluent until Cook launched Franklin back over his head for six then unveiled a ramp shot over the wicketkeeper. Root perished for a cheerfully crisp thirty eight as he made room to pull McClenaghan, before Cook offered a return catch to Nathan McCullum to spark England's collapse. The out-of-form Eoin Morgan followed, LBW sweeping Daniel Vettori, and when James Tredwell steered Mills straight to third man England had gone from one hundred and forty one for three to one hundred and sixty nine all out in the space of five overs. Thanks to Anderson and company, it was a collapse that did not prove crucial.

For today's Keith Telly Topping's 45 of the Day, yer actual Keith telly Topping is still very much in something of a soulful (if rather melancholy) mood at the start of a new week. So, for your delight, here's one of the greatest records ever made, a quality bit of yer actual Jimmy Ruffin his very self.